LSAT practice questions and answers 2026. Tap an option to test yourself — you'll see the correct answer and a plain-English explanation for every question. Free, no login.
Q21Adapted from “Times of Erasmus and Luther” in <em>Short Studies on Great Subjects</em> by James Anthony Froude (1867)<br/><br/>Every single department of intellectual or practical life was penetrated with the beliefs, or was interwoven with the interests, of the clergy; and thus it was that, when differences of religious opinion arose, they split society to its foundations. The lines of cleavage penetrated everywhere, and there were no subjects whatever in which those who disagreed in theology possessed any common concern. When men quarreled, they quarreled altogether. The disturbers of settled beliefs were regarded as public enemies who had placed themselves beyond the pale of humanity, and were considered fit only to be destroyed like wild beasts, or trampled out like the seed of a contagion.<br/><br/>Three centuries have passed over our heads since the time of which I am speaking, and the world is so changed that we can hardly recognize it as the same. The secrets of nature have been opened out to us on a thousand lines, and men of science of all creeds can pursue side by side their common investigations. Catholics, Anglicans, Presbyterians, Lutherans, Calvinists contend with each other in honorable rivalry in arts, and literature, and commerce, and industry. They read the same books. They study at the same academies. They have seats in the same senates. They preside together on the judicial bench, and carry on, without jar or difference, the ordinary business of the country. Those who share the same pursuits are drawn in spite of themselves into sympathy and good-will. When they are in harmony in so large a part of their occupations, the points of remaining difference lose their venom. Those who thought they hated each other unconsciously find themselves friends, and as far as it affects the world at large, the acrimony of controversy has almost disappeared.<br/><br/>Imagine, if you can, a person being now put to death for a speculative theological opinion. You feel at once, that in the most bigoted country in the world such a thing has become impossible, and the impossibility is the measure of the alteration which we have all undergone. The formulas remain as they were on either side—the very same formulas which were once supposed to require these detestable murders. But we have learned to know each other better. The cords which bind together the brotherhood of mankind are woven of a thousand strands. We do not any more fly apart or become enemies, because, here and there, in one strand out of so many, there are still unsound places. If I were asked for a distinct proof that Europe was improving and not retrograding, I should find it in this phenomenon. It has not been brought about by controversy. Men are fighting still over the same questions which they began to fight about at the Reformation. Protestant divines have not driven Catholics out of the field, nor Catholics, Protestants. Each polemic writes for his own partisans, and makes no impression on his adversary.<br/><br/>Controversy has kept alive a certain quantity of bitterness, and that, I suspect, is all that it would accomplish if it continued till the day of judgment. I sometimes, in impatient moments, wish the laity in Europe would treat their controversial divines as two gentlemen once treated their seconds, when they found themselves forced into a duel without knowing what they were quarreling about. As the principals were being led up to their places, one of them whispered to the other, “If you will shoot your second, I will shoot mine."<br/><br/>What is the primary function of the opening paragraph?
✓ Correct answer: C. To highlight the degree of discord that once raged among disparate religions in European society
The primary function of the opening paragraph is to serve as an example of what the author is seemingly cautioning against and celebrating the relative absence of throughout the rest of the essay. The clearest indication of the function can be seen by considering the manner in which the following paragraph begins: “Three centuries have passed over our heads since the time of which I am speaking, and the world is so changed that we can hardly recognize it as the same.” The author wishes to “highlight the degree of discord that once raged among disparate religions in European society” so that he can go on to talk about how that situation has changed in the last three hundred years.
Q22Feminist literary criticism is literary criticism informed by feminist theory, or more broadly by the politics of feminism. Its history has been widespread and varied, from classic works of nineteenth-century women authors such as George Eliot and Margaret Fuller, to cutting-edge theoretical work in women's studies and gender studies by "third-wave" authors. In the most general and simple terms, feminist literary criticism before the 1970s—in the first and second waves of feminism—was concerned with the politics of women's authorship and the representation of women's condition within literature, including the depiction of fictional female characters. In addition, feminist criticism was further concerned with the exclusion of women from the western literary canon – an exclusion that most feminist critics suggest is due to the views of women authors not being considered universal.<br/><br/>Since the development of more complex conceptions of gender and subjectivity and third-wave feminism, modern feminist literary criticism has taken a variety of new routes, namely in the tradition of the Frankfurt School's critical theory. It has considered gender in the terms of Freudian and Lacanian psychoanalysis, as part of the deconstruction of existing relations of power, and as a concrete political investment. It has also been closely associated with the birth and growth of gay studies. The more traditionally central feminist concern with the representation and politics of women's lives has continued to play an active role in criticism. More specifically, modern feminist criticism deals with those issues related to the patriarchal programming within key aspects of society including education, politics, and the work force.<br/><br/>Recently, Lisa Tuttle has defined feminist theory as asking "new questions of old texts." Consequently she cites the following as the primary goals of feminist criticism: <br/><br/> to uncover a female tradition of writing; to interpret symbolism of women's writing so that it will not be lost or ignored by the male point of view; to analyze women writers and their writings from a female perspective; to examine sexism in literature; and to increase awareness of the sexual politics of language and style. Only through such analysis, she argues, can a proper view of feminist criticism be framed moving forward.<br/><br/>According to the passage, all of the following would likely be a concern for feminist critics during the first and second waves of feminism EXCEPT:
✓ Correct answer: C. the lack of important female characters in several popular novels
Explanation: All of the information required to answer the question comes in the first paragraph. The passage states explicitly that criticism in that era was concerned with “the politics of women's authorship”, “the depiction of fictional female characters” so "the politics relating to female authorship" and "the behavior of fictional female characters" are both concerns. For "the working conditions of several female characters", the passage states categorically that criticism in that era was concerned with “the representation of women's condition within literature” "the male domination of the literary world" is also a little difficult to find but is at the end of the first paragraph. The passage states that feminists were “concerned with the exclusion of women from the western literary canon” - which can be expressed as the male domination of the literary world. "the lack of important female characters in several popular novels" is correct as there is absolute nothing in the passage to suggest that feminist critics were concerned with several novels that did not happen to contain important female characters. <br/><br/>Answer is "the lack of important female characters in several popular novels".
Q23Adapted from <em>Moby Dick; or, The Whale</em> by Herman Melville (1851)<br/><br/>Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.<br/><br/>There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.<br/><br/>Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster—tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?<br/><br/>But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets and avenues—north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?<br/><br/>Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries—stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.<br/><br/>But here is an artist. He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke. Deep into distant woodlands winds a mazy way, reaching to overlapping spurs of mountains bathed in their hill-side blue. But though the picture lies thus tranced, and though this pine-tree shakes down its sighs like leaves upon this shepherd's head, yet all were vain, unless the shepherd's eye were fixed upon the magic stream before him. Go visit the Prairies in June, when for scores on scores of miles you wade knee-deep among Tiger-lilies—what is the one charm wanting?—Water—there is not a drop of water there! Were Niagara but a cataract of sand, would you travel your thousand miles to see it? Why did the poor poet of Tennessee, upon suddenly receiving two handfuls of silver, deliberate whether to buy him a coat, which he sadly needed, or invest his money in a pedestrian trip to Rockaway Beach? Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.<br/><br/>Based on this passage, what role does the sea play for Ishmael?
✓ Correct answer: B. It’s an escape from mundane daily life.
The author writes that Ishmael takes to the sea whenever he finds himself "growing grim about the mouth" and "involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet." In other words, the sea provides a welcome relief from the mundane and often depressing realities of Ishmael's daily existence.
Q24Adapted from <em>The Diary Of Samuel Pepys </em>(1893) by Samuel Pepys.<br/><br/>September 1st. Up and at the office all the morning, and then dined at home. Got my new closet made mighty clean against to-morrow. Sir W. Pen and my wife and Mercer and I to "Polichinelly," but were there horribly frighted to see Young Killigrew come in with a great many more young sparks; but we hid ourselves, so as we think they did not see us. By and by, they went away, and then we were at rest again; and so, the play being done, we to Islington, and there eat and drank and mighty merry; and so home singing, and, after a letter or two at the office, to bed.<br/><br/>2nd (Lord's day). Some of our maids sitting up late last night to get things ready against our feast to-day, Jane called us up about three in the morning, to tell us of a great fire they saw in the City. So I rose and slipped on my nightgowne, and went to her window, and thought it to be on the backside of Marke-lane at the farthest; but, being unused to such fires as followed, I thought it far enough off; and so went to bed again and to sleep. About seven rose again to dress myself, and there looked out at the window, and saw the fire not so much as it was and further off. So to my closet to set things to rights after yesterdays cleaning. By and by Jane comes and tells me that she hears that above 300 houses have been burned down to-night by the fire we saw, and that it is now burning down all Fish-street, by London Bridge. So I made myself ready presently, and walked to the Tower, and there got up upon one of the high places, Sir J. Robinson's little son going up with me; and there I did see the houses at that end of the bridge all on fire, and an infinite great fire on this and the other side the end of the bridge; which, among other people, did trouble me for poor little Michell and our Sarah on the bridge. So down, with my heart full of trouble, to the Lieutenant of the Tower, who tells me that it begun this morning in the King's baker's' house in Pudding-lane, and that it hath burned St. Magnus's Church and most part of Fish-street already. So I down to the water-side, and there got a boat and through bridge, and there saw a lamentable fire. Poor Michell's house, as far as the Old Swan, already burned that way, and the fire running further, that in a very little time it got as far as the Steeleyard, while I was there. Everybody endeavouring to remove their goods, and flinging into the river or bringing them into lighters that layoff; poor people staying in their houses as long as till the very fire touched them, and then running into boats, or clambering from one pair of stairs by the water-side to another. And among other things, the poor pigeons, I perceive, were loath to leave their houses, but hovered about the windows and balconies till they were, some of them burned, their wings, and fell down. Having staid, and in an hour's time seen the fire: rage every way, and nobody, to my sight, endeavouring to quench it, but to remove their goods, and leave all to the fire, and having seen it get as far as the Steele-yard, and the wind mighty high and driving it into the City; and everything, after so long a drought, proving combustible, even the very stones of churches, and among other things the poor steeple by which pretty Mrs.————lives, and whereof my old school-fellow Elborough is parson, taken fire in the very top, an there burned till it fell down: I to White Hall (with a gentleman with me who desired to go off from the Tower, to see the fire, in my boat); to White Hall, and there up to the Kings house in the Chappell, where people come about me, and did give them an account dismayed them all, and word was carried in to the King. So I was called for, and did tell the King and Duke of Yorke what I saw, and that unless his Majesty did command houses to be pulled down nothing could stop the fire. They seemed much troubled, and the King commanded me to go to my Lord Mayor—[Sir Thomas Bludworth.]—from him, and command him to spare no houses, but to pull down before the fire every way. The Duke of York bid me tell him that if he would have any more soldiers he shall; and so did my Lord Arlington afterwards, as a great secret.<br/><br/>Here meeting, with Captain Cocke, I in his coach, which he lent me, and Creed with me to Paul's, and there walked along Watlingstreet, as well as I could, every creature coming away laden with goods to save, and here and there sick people carried away in beds. Extraordinary good goods carried in carts and on backs. At last met my Lord Mayor in Canningstreet, like a man spent, with a handkerchief about his neck. To the King's message he cried, like a fainting woman, "Lord! What can I do? I am spent: people will not obey me. I have been pulling down houses; but the fire overtakes us faster than we can do it." That he needed no more soldiers; and that, for himself, he must go and refresh himself, having been up all night. So he left me, and I him, and walked home, seeing people all almost distracted, and no manner of means used to quench the fire. The houses, too, so very thick thereabouts, and full of matter for burning, as pitch and tar, in Thames-street; and warehouses of oil, and wines, and brandy, and other things. Here I saw Mr. Isaake Houblon, the handsome man, prettily dressed and dirty, at his door at Dowgate, receiving some of his brothers' things, whose houses were on fire; and, as he says, have been removed twice already; and he doubts (as it soon proved) that they must be in a little time removed from his house also, which was a sad consideration.<br/><br/>Which one of the following statements describes an example of the function accorded to London Bridge?
✓ Correct answer: C. A place for housing.
We can tell that the bridge had housing as the author states: “I did see the houses at that end of the bridge all on fire, and an infinite great fire on this and the other side the end of the bridge; which, among other people, did trouble me for poor little Michell and our Sarah on the bridge.” “Michell and our Sarah's” houses being on the bridge. This takes careful examination to infer although, again, elimination can be used as the author does not mention it being a highway of the city.
Q25Adapted from the Introduction to <em>Letters from an American Farmer </em>(Crèvecoeur; 1782) by Warren Barton Blake (1912)<br/><br/>Except by naturalization, the author of <em>Letters from an American Farmer</em> was not an American, and he was no ordinary farmer. Yet why quarrel with him for the naming of his book, or for his signing it "J. Hector Saint-John," when the "Hector" of his title-pages and American biographers was only a <em>prenom de faintaisie</em>? We owe some concessions to the author of so charming a book, to the eighteenth-century Thoreau. His life is certainly more interesting than the real Thoreau's—and would be, even if it did not present many contradictions. Our records of that life are in the highest degree inexact; he himself is wanting in accuracy as to the date of more than one event. The records, however, agree that Crèvecoeur belonged to the petite noblesse of Normandy. The date of his birth was January 31, 1735, the place was Caen, and his full name (his great-grandson and biographer vouches for it) was Michel-Guillaume-Jean de Crèvecoeur. The boy was well enough brought up, but without more than the attention that his birth gave him the right to expect; he divided the years of his boyhood between Caen, where his father's town-house stood, and the College du Mont, where the Jesuits gave him his education. A letter dated 1785 and addressed to his children tells us all that we know of his school-days; though it is said, too, that he distinguished himself in mathematics. "If you only knew," the reminiscent father of a family exclaims in this letter, "in what shabby lodging, in what a dark and chilly closet, I was mewed up at your age; with what severity I was treated; how I was fed and dressed!" Already his powers of observation, that were so to distinguish him, were quickened by his old-world milieu.<br/><br/>"From my earliest youth," he wrote in 1803, "I had a passion for taking in all the antiques that I met with: moth-eaten furniture, tapestries, family portraits, Gothic manuscripts (that I had learned how to decipher) had for me an indefinable charm. A little later on, I loved to walk in the solitude of cemeteries, to examine the tombs and to trace out their mossy epitaphs. I knew most of the churches of the canton, the date of their foundation, and what they contained of interest in the way of pictures and sculptures."<br/><br/>The boy's gift of accurate and keen observation was to be tested soon by a very different class of objects; there were to be no crumbling saints and canvases of bed-chamber grooms for him to study in the forests of America, no reminders of the greatness of his country's past, and the honor of his family.<br/><br/>From school, the future woodsman passed over into England. A distant relative was living near Salisbury; for one reason or another the boy was sent thither to finish his schooling. From England, with what motives we know not, he set out for the New World, where he was to spend his busiest and happiest days. In the Bibliotheca Americana Nova Rich makes the statement that Crèvecoeur was but sixteen when he made the plunge, and others have followed Rich in this error. The lad's age was really not less than nineteen or twenty. According to the family legend, his ship touched at Lisbon on the way out; one cannot decide whether this was just before or immediately after the great earthquake. Then to New France, where he joined Montcalm. Entering the service as cadet, he advanced to the rank of lieutenant; was mentioned in the Gazette; shared in the French successes; drew maps of the forests and block-houses that found their way to the king's cabinet; served with Montcalm in the attack upon Fort William Henry. With that the record is broken off: we can less definitely associate his name with the humiliation of the French in America than with their brief triumphs. Yet it is quite certain, says Robert de Crèvecoeur, his descendant, that he did not return to France with the rag-tag of the defeated army. Quebec fell before Wolfe's attack in September 1759; at some time in the course of the year 1760 we may suppose the young officer to have entered the British colonies, to have adopted his family name of "Saint John" (Saint-Jean), and to have gradually worked his way south, probably by the Hudson. The reader of the <em>Letters</em> hardly supposes him to have enjoyed his frontier life; nor is there any means of knowing how much of that life it was his fortune to lead. In time, he found himself as far south as Pennsylvania. He visited Shippensburg and Lancaster and Carlisle; perhaps he resided at or near one of these towns. Many years later, when his son Louis purchased a farm of two hundred acres from Chancellor Livingstone, at Navesink, near the Blue Mountains, Crèvecoeur the elder was still remembered, and it may have been at this epoch that he visited the place. During the term of his military service under Montcalm, Crèvecoeur saw something of the Great Lakes and the outlying country; prior to his experience as a cultivator, and, indeed, after he had settled down as such, he "travelled like Plato," even visited Bermuda, by his own account. Not until 1764, however, have we any positive evidence of his whereabouts; it was in April of that year that he took out naturalization papers at New York. Some months later, he installed himself on the farm variously called Greycourt and Pine-Hill, in the same state; he drained a great marsh there, and seems to have practiced agriculture upon a generous scale. The certificate of the marriage of Crèvecoeur to Mehitable Tippet, of Yonkers is dated September 20, 1769, and of this union three children were the issue. And more than children: for with the marriage ceremony once performed by the worthy Tetard, a clergyman of New York, formerly settled over a French Reformed Church at Charleston, South Carolina, Crèvecoeur is more definitely than ever the "American Farmer"; he has thrown in his lot with that new country; his children are to be called after their parent's adopted name, Saint-John; the responsibilities of the adventurer are multiplied; his life in America has become a matter more easy to trace and richer, perhaps, in meaning.<br/><br/>The primary purpose of the passage is most likely to <code>________</code>.
✓ Correct answer: E. preface a larger piece of work by a different author
We can tell from the author's first paragraphs that the passage is designed to be an introduction to a greater piece by another author, namely Crèvecoeur. As the author states, “We owe some concessions to the author of so charming a book, to the eighteenth-century Thoreau.” The author names Crèvecoeur's book numerous times and makes a point of ending the passage with some finality. It is obvious also from the brief descriptions of Crèvecoeur's life that the author does not intend to elaborate on his musings more than in an introductory manner. The naming of Crèvecoeur's great-grandson as his biographer also suggests that the author does not intend to take up this role.
Q26Adapted from <em>A Treatise Concerning the Principles of Human Knowledge </em>by George Berkeley (1710)<br/><br/>1. OBJECTS OF HUMAN KNOWLEDGE. It is evident to anyone who takes a survey of the objects of human knowledge, that they are either IDEAS actually imprinted on the senses; or else such as are perceived by attending to the passions and operations of the mind; or lastly, ideas formed by help of memory and imagination—either compounding, dividing, or barely representing those originally perceived in the aforesaid ways. By sight I have the ideas of light and colors, with their several degrees and variations. By touch I perceive hard and soft, heat and cold, motion and resistance, and of all these more and less either as to quantity or degree. Smelling furnishes me with odors; the palate with tastes; and hearing conveys sounds to the mind in all their variety of tone and composition. And as several of these are observed to accompany each other, they come to be marked by one name, and so to be reputed as one thing. Thus, for example, a certain color, taste, smell, figure and consistence having been observed to go together, are accounted one distinct thing, signified by the name APPLE. Other collections of ideas constitute a stone, a tree, a book, and the like sensible things, which as they are pleasing or disagreeable excite the passions of love, hatred, joy, grief, and so forth.<br/><br/>2. MIND--SPIRIT--SOUL. But, besides all that endless variety of ideas or objects of knowledge, there is likewise something which knows or perceives them, and exercises diverse operations as willing, imagining, and remembering about them. This perceiving, active being is what I call MIND, SPIRIT, SOUL, or MYSELF, by which words I do not denote any one of my ideas, but a thing entirely distinct from them, WHEREIN THEY EXIST, or, which is the same thing, whereby they are perceived—for the existence of an idea consists in being perceived.<br/><br/>3. HOW FAR THE ASSENT OF THE VULGAR CONCEDED. That neither our thoughts, nor passions, nor ideas formed by the imagination, exist WITHOUT the mind, is what EVERYBODY WILL ALLOW. And it seems no less evident that the various sensations or ideas imprinted on the sense, however blended or combined together (that is, whatever objects they compose), cannot exist otherwise than IN a mind perceiving them. I think an intuitive knowledge may be obtained of this by any one that shall attend to WHAT IS MEANT BY THE TERM "EXIST," when applied to sensible things. The table I write on I say exists—that is, I see and feel it—and if I were out of my study I should say it existed, meaning thereby that if I were in my study I might perceive it, or that some other spirit actually does perceive it. There was an odor, that is, it was smelt; there was a sound, that is, it was heard; a color or figure, and it was perceived by sight or touch. This is all that I can understand by these and the like expressions. For as to what is said of the absolute existence of unthinking things without any relation to their being perceived, that seems perfectly unintelligible. Their ESSE is PERCIPI, nor is it possible they should have any existence out of the minds or thinking things which perceive them.<br/><br/>4. THE VULGAR OPINION INVOLVES A CONTRADICTION. It is indeed an opinion STRANGELY prevailing amongst men, that houses, mountains, rivers, and in a word all sensible objects, have an existence, natural or real, distinct from their being perceived by the understanding. But, with how great an assurance and acquiescence soever this principle may be entertained in the world, yet whoever shall find in his heart to call it in question may, if I mistake not, perceive it to involve a manifest contradiction. For, what are the fore-mentioned objects but the things we perceive by sense? And what do we PERCEIVE BESIDES OUR OWN IDEAS OR SENSATIONS? And is it not plainly repugnant that any one of these, or any combination of them, should exist unperceived?<br/><br/>5. CAUSE OF THIS PREVALENT ERROR. If we thoroughly examine this tenet it will, perhaps, be found at bottom to depend on the doctrine of ABSTRACT IDEAS. For can there be a nicer strain of abstraction than to distinguish the existence of sensible objects from their being perceived, so as to conceive them existing unperceived? Light and colors, heat and cold, extension and figures—in a word, the things we see and feel—what are they but so many sensations, notions, ideas, or impressions on the sense? And is it possible to separate, even in thought, any of these from perception? For my part, I might as easily divide a thing from itself. I may, indeed, divide in my thoughts, or conceive apart from each other, those things which, perhaps, I never perceived by sense so divided. Thus, I imagine the trunk of a human body without the limbs, or conceive the smell of a rose without thinking on the rose itself. So far, I will not deny, I can abstract—if that may properly be called ABSTRACTION which extends only to the conceiving separately such objects as it is possible may really exist or be actually perceived asunder. But my conceiving or imagining power does not extend beyond the possibility of real existence or perception. Hence, as it is impossible for me to see or feel anything without an actual sensation of that thing, so is it impossible for me to conceive in my thoughts any sensible thing or object distinct from the sensation or perception of it.<br/><br/>Which one of the following most accurately states the main point of the passage?
✓ Correct answer: C. We perceive things with our senses then assess or transform these perceptions.
The passage quite clearly states at the beginning that we perceive things, then other parts which may be called “mind, body, or spirit” “[exercise] diverse operations as willing, imagining, and remembering about them.” We can say this continues on to the end of the passage as the author discusses in more detail the “imagining” portion of our perceptions. We cannot say that the statement “Human thinking is mostly sensing things and only sometimes assessing them” is correct, as the word “sometimes” nullifies it. Likewise, the statement “The process of thought does not allow things to exist when we are not near them” is nullified by being a simplified, perhaps inaccurate, argument of a part of the passage, not of the whole passage.
Q27The passage suggests that Leacock would agree with which of the following?
✓ Correct answer: C. There have existed cultures in which the status of women has been at least equal to that of men.
Leacock is mentioned at the beginning of the second paragraph. Here’s the relevant sentence: “Whereas some anthropologists, such as Leacock, argue that there are or have been truly egalitarian societies, and all agree that there are societies in which women have achieved considerable social recognition and power, none has so far observed a society in which women have publicly recognized power and authority surpassing that of men.” The specific claim attributed to Leacock, then, is that some societies have held women as equal to men. <br/><br/>Choice (C) correctly represents that viewpoint.
Q28The phrase 'reined in,' as mentioned in sentence 23, means which one of the following?
✓ Correct answer: C. Controlled
The context in which the phrase 'reined in' is used us: <i>"As kingdoms and empires became powerful, they reined in communities and the level of violence decreased."</i><br/><br/>The clue to answer to the phrase is the word 'powerful.' This means that as the state became more powerful, it used its power to control the communities and, thus, reduce violence.<br/><br/>Of the given choices, the best synonym of the phrase is <i>controlled</i>.<br/><br/>While manage is a close call, it is not always associated with using 'power.'.
Q29Passage adapted from<em> The Untroubled Mind </em>(1915) by Herbert J. Hall.<br/><br/>When I go about among my patients, most of them, as it happens, “nervously” sick, I sometimes stop to consider why it is they are ill. I know that some are so because of physical weakness over which they have no control, that some are suffering from the effects of carelessness, some from willfulness, and more from simple ignorance of the rules of the game. There are so many rules that no one will ever know them all, but it seems that we live in a world of laws, and that if we transgress those laws by ever so little, we must suffer equally, whether our transgression is a mistake or not, and whether we happen to be saints or sinners. There are laws also which have to do with the recovery of poise and balance when these have been lost. These laws are less well observed and understood than those which determine our downfall.<br/><br/>The more gross illnesses, from accident, contagion, and malignancy, we need not consider here, but only those intangible injuries that disable people who are relatively sound in the physical sense. It is true that nervous troubles may cause physical complications and that physical disease very often coexists with nervous illness, but it is better for us now to make an artificial separation. Just what happens in the human economy when a “nervous breakdown” comes, nobody seems to know, but mind and body cooperate to make the patient miserable and helpless. It may be nature’s way of holding us up and preventing further injury. The hold-up is severe, usually, and becomes in itself a thing to be managed.<br/><br/>The rules we have wittingly or unwittingly broken are often unknown to us, but they exist in the All-Wise Providence, and we may guess by our own suffering how far we have overstepped them. If a man runs into a door in the dark, we know all about that,—the case is simple,—but if he runs overtime at his office and hastens to be rich with the result of a nervous dyspepsia—that is a mystery. Here is a girl who “came out” last year. She was apparently strong and her mother was ambitious for her social progress. That meant four nights a week for several months at dances and dinners, getting home at 3 a.m. or later. It was gay and delightful while it lasted, but it could not last, and the girl went to pieces suddenly; her back gave out because it was not strong enough to stand the dancing and the long-continued physical strain. The nerves gave out because she did not give her faculties time to rest, and perhaps because of a love affair that supervened. The result was a year of invalidism, and then, because the rules of recovery were not understood, several years more of convalescence. Such common rules should be well enough understood, but they are broken everywhere by the wisest people.<br/><br/>As used in the passage, the word "transgression" most nearly means <code>________</code>.
✓ Correct answer: C. a violation of accepted social conventions
The author uses "transgression" in the first paragraph, while discussing the ways in which the rules of society are often broken when someone has a nervous breakdown. This linkage indicates that a transgression is in some way a violation of accepted social conventions.
Q30Museum Director: “The City Council’s vote to close the Natural History Museum on January 1<sup>st</sup> was foolish and will harm the city. Our museum is the premier natural history museum in the country; every year it attracts tourists and researchers, bringing their spending power into the city. It is an excellent place for our city’s children to learn about the world around them. And finally, the museum’s operating budget is completely paid for by private donations and admission tickets.”<br/><br/>Which of the following is the main point of the Museum Director's argument?
✓ Correct answer: E. Closing the museum was not a wise decision.
The main point of the Museum Director’s argument is that closing the museum was not a wise decision. The other choices are supporting arguments made to justify the assertion that closing the museum was a poor choice.
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Theory